Friday, December 18, 2009

Thoughts about another view of Raleigh's skyline

Several months ago (it's been far too long since we paid the blog the attention it deserves) we wrote about some of the best views of Raleigh's skyline, including views from the Boylan Bridge and from McDowell Street. While they are very different views, each offer insights into the past, as well as the future, of the City of Oaks.

I recently discovered another view, from the 9th floor of the DH Hill library on NCSU's campus. It provides an interesting perspective on the discussion. The first thing evident in this view, is the linear, north-south orientation of Raleigh's downtown. The north end is comprised primarily of government buildings (City, County and State), while the south end is more business interests, as well as some residential. Also quickly evident is the overall flat terrain, with some rolling hills so common to the Piedmont region.



On the surface the image seems somewhat banal, with little information about Raleigh to share. For some reason, however the image kept returning to my mind. It felt like there was something there to discover, something to inform my understanding of the city. Going back to the image later in the day, my thoughts became somewhat more clear. Raleigh is not a city that was selected for its proximity to some predominant natural feature, such as a river or mountain. Nor is it a city that one thinks about as highly urbanized or dense. Yet in this image it appears to have a fairly urban core, with little visual evidence of urban sprawl.

The natural feature most prominent in Raleigh (clearly displayed in this image), is its densely-wooded nature, and subsequent tree canopy. The large population of Oak trees (for which the city receives its nickname, the City of Oaks), as well as other native species, provide a thick canopy over much of the city. This is true even in December, when most of the deciduous trees have shed their leaves. The canopy is so thick that it covers much of the lower density areas that prevail in Raleigh.

A trip up to the library wasn't necessary to glean this seemingly small observation, but maybe it caused me to think a little longer about the region as a whole (and the underlying disconnect between the various cities) than I otherwise would have. I began to think that maybe in this instance the lesson to be learned is less about what I do see, and more about what I don't see.

In the visually-biased and visually-dominated society that we live in, it makes sense to consider the role that visual connections play in our sense of belonging, especially to a particular area such as the triangle. For example, when entering the woods, one only needs to walk a short distance before a feeling of seclusion and isolation ensues, despite the short distance traveled. Maybe this lack of visual reciprocity is one small part of the explanation to why Raleigh struggles to claim its role as the capital city within the triangle, not to mention throughout the state. Or why people living outside the beltline describe going "downtown" like an all day event to some distant, foreign destination. Or why the region as a whole is often described as the triangle and rarely as the Raleigh metro area. Maybe this tells us something about how crucial the role of sight is in design of all sorts. Or, maybe it tells us nothing at all.

Thursday, November 5, 2009

Raleigh being Raleigh...

While I commend the City of Raleigh for holding the Moore Square re-design competition I have a hard time grasping exactly how the jury decided upon the winning submission. Recently I’ve spent quite a bit of time looking more in depth at many of the entrants and I have to wonder, am I missing something? I quite like the 3rd place entry by Stephen Stimson Associates (Falmouth, MA) as well as a number of the honorable mentions, specifically those done by Davin Hong, Tonic Design, and Lappas & Havener + Frank Harmon Architects and I fail to see how ANY of those could place behind what for all intents and purposes is a scheme that revolves around a manufactured "hill" along with extraordinarily cheap-looking playground equipment as two of it's primary design features. The images may have been "pretty" in the sense that they were well done technically, but the scheme overall feels like a space that could quite literally be ANYWHERE, USA. In addition, there's nothing remotely specific to the city of Raleigh or the surrounding site context within the scheme. All that was included in any of the renderings/plans was the square itself, with absolutely no mention, reference, or image reflecting the overall site. How could this happen? It must be said that while I personally know and highly respect more than a few members of the Jury, I find my faith in design, community design specifically, seriously shaken by this entire process. This competition was a golden opportunity for something extraordinary, not only for the City of Raleigh but for all of North Carolina as well. What we got could not have possibly been less exciting and I’m more than a little embarrassed for it. All in all, I guess its just business as usual and Raleigh just being Raleigh....




Friday, October 30, 2009

Monica Ponce de Leon lecture NEXT Monday (7PM, Nov 9)

Next Monday night (Nov 9) there will be a fantastic, open to the public, lecture at NCSU's Burns Auditorium at 7 pm. Monica Ponce De Leon will be speaking about her work with Office DA (as co-founder and principal) and possibly some of her efforts as the new dean at the Taubman College of Architecture and Urban Design at the University of Michigan. Office DA does great work and we've heard that her lectures are not to be missed. Be there early if you want to get a good seat, it should be packed.

Monday, October 12, 2009

We're Back!!!! Our Moore Square Competition Entry

Below are the images from the North Carolina Design CoOperative (NCDC) Moore Square entry. Although we got a good response, we unfortunately did not place. Everything's being kept pretty under wraps about the winners but it has come to our attention that both Kling Stubbins and Tonic Design (along with David Hill) received Honorable Mentions, congratulations to those guys. We'll have more on the competition/process later.
















Tuesday, September 22, 2009

Blog Status Update

For the past month or so Raleigh AAU has had to be set aside due to a variety of reasons. We will be finishing up our Moore Square entry this week and we hope to be back to the blog full force come October. After submissions are closed and the reviews take place we will be posting our entry to the blog as well as a lengthy article on the entire process. Also in the works is an article on the Szostak Design "New American House" project, which located in Raleigh and set to break ground within the next few months. We are very sorry for the lack of recent activity but we're excited about the future. See you soon....

Monday, September 7, 2009

N & O Home of the Month

The News and Observer's August edition of the "Home of the Month" was just recently released. The "Home of the Month" is a collaborative initiative between N & O, and NCSU's College of Design, specifically through the Home Environments Design Initiative (HEDI). This month's article is written by current NCSU graduate student Virginia Alexander.

Transplanted Glory

Sunday, August 30, 2009

Catalano House to be Rebuilt

I was pleasantly surprised to hear, from a number of reliable sources, that the Eduardo Catalano house looks like it will FINALLY be re-built. The site is situated on a small plot of land close to Dorthea Dix which is currently owned by NCSU. This is the latest in the long line of attempts to rebuild the iconic/revolutionary mid-century house, with the others failing due to various reasons including, but not limited to; serious project mismanagement by the previous NCSU administration, the simple mindedness of a few misinformed students, and the selfishness of the NC Art Museum officials. With the possible exception of Dorton arena, the Catalano house is the finest example of architectural innovation to ever be seen in North Carolina. Hopefully this reconstruction attempt will fair better than those of the past.


Profile on Eduardo Catalano

Sunday, August 23, 2009

NC State Announces Architecture Lecture Series

This past week, NCSU's School of Architecture announced its 2009-2010 lecture series that it holds jointly with AIA Triangle. All lectures will be held Mondays nights at 7:00, in Burns Auditorium, and are free and open to the public. The College of Design is trying to have a lecture every Monday night, through one of the departments within the College. That way, people just get in the habit of attending the lectures.

There are some great lecturers coming in this year. Here's a look at the upcoming architecture lectures this fall. Rather than writing a lengthy bio on each, I've included a link to their websites.

August 31st Marlon Blackwell who has his own practice in addition to teaching full-time at University of Arkansas.

October 19th Martin Haas, partner at Behnisch Architekten, and I believe he has a background in film-making.

November 9th Monica Ponce de Leon, Principal at Office dA.

Tuesday, August 11, 2009

Five-Points Post Office "on the block"

It has come to my attention that the Five-Points Post Office is under the very serious threat of closure and barring a miracle it is all but a certainty. The days of the neighborhood hardware store, Piggly Wiggly, and even the Hayes Barton Grill have long past but I still find myself yearning for them. Granted, I have somewhat of a skewed/nostalgic view of the area because I grew up there, on the little one-way stretch of White Oak. My experiences there would help shape and define my interests in both urban design and architecture and would help drive me to such ventures as my education, my career, and Raleigh AAU, among other things. As a designer, I am acutely aware that change is the nature of cities, but never did I think I'd see the Five-Points Post Office close down, that place was/is the heart and soul of the area. There are legitimate factors behind it all of course, the USPS is hemorrhaging money and it has to make its cuts somewhere. Unfortunately, for those of us that still enjoy our semi-regular trips, this is the harsh reality of the times. We've known the Postal Clerks for years, they've become integral parts of our lives, they know our families, watched us grow, and seen us at both our best and worst and we always thought they'd be there... When the doors close that final time on Fairview Rd. the end of an era will officially pass and the identity and sense of community among long-time residents will be seriously shaken... It breaks my heart.

If you have similar stories or just want your voice heard on the matter PLEASE WRITE:

Mr. Russell Gardner
USPS District Manager
P.O. Box 9900
Greensboro, NC
27498-9900

NC Senate Approves Mass Transit Bill

While I'm cautiously optimistic, I'm still not holding my breath, as we've all been through this exact situation before. Here's hoping things turn out better this time...

Link

Monday, August 3, 2009

New House Tour Offerings by Triangle Modernist Houses

Triangle Modernist Houses just opened sales for three tours this fall in Raleigh and Durham. The last tour sold out very quickly, so if you are interested you better sign up quickly.

From the TMH website:

Saturday, August 15, 10-1130 : Pullen Memorial Chapel in Raleigh, $5.95

Saturday, October 3, 1-3, Michael Coates Residence Durham, $5.95

Saturday, November 7, 1-4, Architects' Homes: Thomas Crowder, Brian Shawcroft and Raymond Sawyer, $9.95

Sunday, August 2, 2009

Sense of Arrival in Raleigh

When defining a city, the sense of arrival is crucial, not only does it signify the arrival itself but it defines the boundaries of a city. The first impression plays a significant role in shaping our opinions of each city as a place and helps to inform us about its identity. This is an analysis of the sense of arrival into downtown Raleigh from the southeast. (McDowell Street / NC Hwy 50).

The McDowell St. corridor offers us the signature view of the Raleigh skyline. While different than that from the Boylan bridge, it is unquestionably one of the City's best. The road, while busy, seems more like a parkway than a highway with it's winding path and well landscaped median. In the distance a city of Raleigh sign marks the arrival.

A wooded threshold clearly delineates the urban core boundary, rather than letting the development spill out. In many cities this threshold is a veritable no man's land, often heavily littered and marking a poor entry to downtown. The entry to Raleigh's urban core is well-maintained and deliberately designed to heighten the experience.

The Convention Center sits prominently at the crest of the hill and through it's placement, strongly anchors the southeast corner of downtown Raleigh. Designer's clearly understood the meaning of the site when planning for the convention center, the corner detail appropriately addresses the corner condition.

The "shimmer wall" on the west side of the convention center provides a positive face to the street. The building serves as both an iconic structure, which is well worth visiting, as well as the face of "New" Raleigh and therefore allows for a sense of intrigue among visitors, which every city needs.

Street trees and furniture serve as amenities in the pedestrian environment. While enhancing both beauty and safety they also significantly increase the walkability of downtown.

The vacant lot immediately west of the convention center, for which the city is generating plans for a park and outdoor amphitheater among other things. In the distance, the south side of a new Wake County public parking garage. This elevation, primarily clad in a brick veneer, cleverly disguises the fact that this is a parking garage, which is done successfully throughout the city. The perforations allow for natural ventilation through the garage, but also form an engaging facade to the street. This has got to be one of the best looking parking garage elevations around.

The east elevation is not nearly as successful as the southern elevation. Hopefully, there are future plans for some sort of cladding, or future development of this elevation. What I don't understand is why this elevation isn't designed similarly to the southern side of the building, allowing natural ventilation to pass through the entire structure. Where the southern elevation successfully addresses the street, this drab concrete wall acts as a black eye to what is otherwise a successful entrance to the city on the east side, as well as the north side.

If a street wall were a smile, the entrance into Raleigh is missing a few teeth. The undeveloped lot west of the convention center is unattractive, but hopefully that will soon be remedied. The underutilized Enterprise rental car office and adjacent enormous surface parking lot will need to be addressed, sooner rather than later. The east side of the public parking garage needs further development. However, what is in place is solid and provides a good foundation for future growth.

Overall Raleigh's downtown is clearly undergoing a major renaissance. Major changes are taking place, many for the good, which will be covered in future posts. The central business district is fairly well delineated and dense growth seems to be contained in the urban core. Clearly the triangle region as a whole is very decentralized, which is a major issue, but this is regarding the density immediately in and around downtown. Urban densities don't yet seem to be encroaching on residential neighborhoods. This isn't to say that all of neighborhoods adjacent to downtown are thriving because they aren't. However, the downtown is fairly well contained, meaning there isn't the typical ring of medium density commercial and industrial uses around the city, uncomfortably integrating with nearby urban neighborhoods. In Raleigh, a fairly distinct threshold delineates the urban core and nearby neighborhoods as distinct and congruous entities.

This entrance into the Capital City promises to have a bright future. The city has done its part in building the foundation, and setting the standard for further development of this important corridor into Raleigh.

Monday, July 27, 2009

Lecture on Wednesday Night at BBH Design

(From the AIA website)
AIA Triangle is hosting its second free summer lecture on July 29 at 7 p.m. The lecture titled “Architecture Without Architects Clients” will be presented by Associate Professor Wendy Redfield and Assistant Professor David Hill at BBH DESIGN, 8208 Brownleigh Drive in Raleigh.

Please RSVP here.

Sunday, July 26, 2009

Phil Freelon appears on North Carolina People

North Carolina People featured Phil Freelon, of the Freelon Group, on Friday July 24. The interview will re-run Sunday, July 26 at 5:30 PM on UNC-TV
Phil Freelon Video

Saturday, July 25, 2009

N & O Home of the Month

The News and Observer's July edition of the "Home of the Month" was released today. The "Home of the Month" is a collaborative initiative between N & O, and NCSU's College of Design, specifically through the Home Environments Design Initiative (HEDI). This month's article is written by recent NCSU graduate Sarah Corbitt.

The house was designed by Brett Hautop who is a principal at Vernacular Studio and also an NCSU College of Design graduate. Vernacular Studio is located at 530 Hillsborough Street in Raleigh.

The 3,600 square foot Modern Victorian sits prominently on a hill just outside of downtown Raleigh, near historic Oakwood.

Thursday, July 23, 2009

NCARB IDP Seminar

Learn about all things related to the Intern Development Program (IDP) with NCARB's refreshed webinar, "Essential IDP." With the many changes to the program that are being implemented, it is important to have a clear understanding of all the IDP rules and requirements so your experience can be properly documented and counted.

Presented by NCARB's Assistant Directors of IDP, Nick Serfass, AIA, LEED AP, and Rachel Kros, AIA, this webinar will cover everything from important concepts like "direct supervision" to the Six-Month Rule.

Time: 1:00 p.m. EST

Date: 5 August 2009

Cost: Free

Link

Frank Harmon wins National AIA Honor Award

This is old news (April 2009) but it doesn't seem like too many people realize that it happened. The house is featured again in the special awards section of this month's (Aug 2009) issue of Architectural Record.

Good write-up of the award announcement

Frank Harmon's project description

Wednesday, July 22, 2009

Weber House and others up for Historic Landmark

Six potential historic landmarks will be considered by the Raleigh Historic Districts Commission and the City Council Tuesday August 4th at 7:00 pm. From the City's website:

The purpose of the public hearing is to solicit public comment on the historic landmark reports and proposed Raleigh Historic Landmark designations for the following properties:

  • The Bill and Betty Weber House (1953), located at 606 Transylvania Avenue, is an example of Modernist style as designed by local architect William Weber in collaboration with Modernist master George Matsumoto. The structure was built during the postwar period of rapid economic expansion in Raleigh;
  • The Dr. M.T. Pope House (1900), located at 511 S. Wilmington Street, illustrates the presence of a middle and professional class of African-American families along South Wilmington Street. A rare and early example of a front-gable structure of high-quality and stylish workmanship, the house is associated with Dr. M.T. Pope, an African-American physician, and his wife and daughters, each prominent and influential figures in North Carolina;
  • The Lemuel and Julia Delany House (1917), located at 210-212 North State Street in the Idlewild subdivision, is significant for its role in Raleigh's African-American community in the early- and mid-twentieth century. The Classic Revival and Craftsman-style house is associated with physician and business leader Lemuel Thackara Delany and his wife, St. Augustine’s College instructor Julia Amaza (Brown) Delany;
  • The Paul and Ellen Welles House (1956), located at 3227 Birnamwood Road, was designed by Durham architect Kenneth McCoy Scott and built by the Jim Edwards Company. A dramatic and intact example of the Modernist split-level, its design was influenced by the modern design theory taught by professors at North Carolina State University, School of Design;
  • Saint James African Methodist Episcopal Church, (1923) is located at 520 Method Road in the Method neighborhood. The Gothic Revival brick church is an example of the stylish churches that anchored Raleigh’s African-American developed suburban communities from the end of the Civil War through the 1950s.; and,
  • The Truman and Annie Laurie Williams House (1939), located at 910 Harvey Street, is a rare example of the Norman French style in Raleigh and was designed by Jerome Robert Cerny, a noted architect of residential estate homes in the Chicago area. The landscape was designed by Charles F. Gillette, one of the most prominent twentieth century landscape architects of the Southeast.
Following the public hearing, the matter will be referred to the Raleigh Historic Districts Commission to consider final recommendations to the City Council. The City Council may adopt the historic designation at the Sept. 1 meeting.

A quick browse on the internet also produced The Weber House Landmark Application. This application is a very thorough look at the house, with some fantastic images not likely seen anywhere else except to those with access to the house. It's definitely worth a look.

We encourage you to learn more about these houses (search websites such as Triangle Modernist Houses and others), and attend the meeting and ensure the future of these important Raleigh houses.

Thursday, July 16, 2009

Cassilhaus featured in NYT

While not directly dealing with Raleigh, we have to tip our hat to Durham-based architect Ellen Cassilly, whose personal residence was recently featured in the New York Times. Cassilhaus (a combination of Ellen's last name Cassilly and her husband's last name Konhaus) is a modern house beautifully sited on a slope overlooking a creek on the edge of Duke Forest. However, the most intriguing aspect of the house is the way that it integrates a studio for a visiting artist, an art gallery, as well as the couple's personal residence. The house excels at addressing and integrating with the site, attention to detail, imaginative programmatic thinking and several fantastic moments as one moves through the carefully planned spaces. We eouncurage you to visit the links above and learn more about Cassilhaus.

Monday, July 13, 2009

Bugg House Tour

Several weeks ago I attended a tour of the Bugg House over in Durham. The design is by Kenneth Hobgood Architects, and the construction is by Tonic (you will see Vinny in one of the images). The house responds to the site seamlessly, and will certainly be an impressive modern residence upon completion later this year. Thanks to the Young Architects Forum for organizing the tour.

View from inside the living to the creek behind the house

View from one of the wings into the central courtyard

Living room featuring clerestory

Screened porch for outdoor entertainment

Credit A. Cherry for the images.

Saturday, July 11, 2009

What could this be?

So I am heading downtown to Boylan Avenue and I happen upon this structure which is curiously all by itself in a field next to what appears to be an abandoned manufacturing facility.


Curious as always, I stop for a minute to inspect what it might be. Truthfully, I had no idea. My first thought was that it could be some kind of installation. My wife suggested that it might have some sort of relation to the nearby train tracks, maybe a conductor's office for example. After a few minutes, we had no idea so we got back in the car and continued on our way.

A short time later, I'm driving, still thinking about what the structure may have been and I notice a building that seems oddly familiar. It's the new Hue Condominium project. But why does look so familiar? Then it hits me, the small structure that we saw a few blocks back must be some sort of trial run or teaching tool for the contractors who would be installing the exterior of the building. By using the same materials and detailing, a small detail (or a very large study model) was likely as practice before finishing the actual project.

You'll notice the exact same materials and detailing used in both structures. The same color palette too. As for the project itself, I think the location is perfect for a mixed use building. The design is fairly interesting, but to me something seems to be lacking. However, I am all for the concept of urban living and mixed-use developments. Hopefully all the condos sell, but in my amateurish opinion, it seems like Raleigh's downtown is over-priced and over-built given the current housing market. I always want downtown developments to succeed to continue fueling the urban renaissance that taking place all across the country, of which downtown Raleigh is an excellent case study.


Tuesday, July 7, 2009

Obsessed with stairs?

For all those stair lovers out there here is a website to feed your obsession...
and for those with a more casual interest, you might find something you like too. Completely unrelated to the Raleigh design scene I know, but this was just too good to pass up. A friend showed me this site the other day and I felt obliged to pass it on.

The stairs you see are my personal (most recent) favorites. They are by
roedig.schop architekten of Berlin on their personal residence part of the Ten in One project.

Be on the lookout for upcoming articles about NCMA and The New American House Project.

Friday, June 19, 2009

Preservation

How is it that we as a culture decide that certain buildings are worthy of preservation? Is it as simple as age or what is deemed to be some sort of "important" circumstances surrounding certain structures? It seems to be a fine line to walk. Where do we begin? If history itself is the primary criteria how can we sit idly by as many of our vernacular structures, such as the tobacco barns of my youth, fade forever from our landscape? If it is circumstance that becomes the main criteria, how is it that we decide which buildings are deserving? Who's history do we value and thus that of their buildings? Aside from the context of the southern plantation and their corresponding slave quarters we rarely see buildings that tie directly into the lives of African Americans. It must be assumed that many of these buildings were, more often than not, deemed to be less than important and therefore became easy targets for the wrecking ball (See Durham Freeway). It is important that we recognize our past transgressions and not allow what little that remains of various fragments of our culture to fall between the cracks (See Oberlin Village). Gone, hopefully, are the days when seemingly the only preservation that mattered was that of the extravagant homes of the wealthy and large public/corporate buildings. As Americans with comparatively so little tangible history, it seems as though we would be more all encompassing in our efforts.

I can not argue that all old buildings are worth saving, however I will always contend that future generations be afforded the opportunity to experience the many diverse aspects of our building culture and not just what is considered to be "important" today...

Saturday, June 13, 2009

Moore Square Competition

Sponsored by the City of Raleigh
Link

DESIGN IT, Shelter Competition

Sponsored by Google SketchUp
Link

Welcome...

Here at Raleigh AAU our primary objectives are to inform, organize and engage the local design community. So many of our events and much of our news is spread so thin through the various media outlets that much of it gets lost in the shuffle. We all seem to have trouble getting a handle as to what is really going on in our community and therefore we have become observers and not the catalysts for change. It is our hope that this is indeed a small step in the right direction and that through our efforts; discussions are raised, awareness is heightened, and involvement is inspired. For better or worse.... Welcome to Raleigh AAU.